My Dear Miss Chancellor Cries Out for a Larger Stage

The actors could stab you from the stage if they really wanted to.Joe Iano
The Annex’s small stage can be the perfect venue for great theater. In My Dear Miss Chancellor, director Elizabeth Hershly and scenic designer Chris M. Roberson do the best they can to create space on the stage, but the 14-person play involving dueling lesbians and grand ballrooms demands a larger venue to bring out important tensions and possibilities that the small space buries.The action's set in 1840, in the ear