Virginia Jaramillo remains indisputably herself

Virginia Jaramillo’s “Principle of Equivalence” vivifies the chalk-pale contours of the MCA’s Bergman Family Gallery with a series of luminescent large-scale works that are at turns crisp, curvy, aqueous, and billowing, while works on and of paper appear barren, dry, curious, and craggy. Beginning with the sparest of geometric abstractions and ending with the scientific […]
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