Sex, sci-fi, Ibsen, and more

Sometimes the best way to tell stories about humanity is through inanimate objects. This year, the eighth Chicago International Puppet Theater Festival looked backward to classics (Plexus Polaire’s version of Henrik Ibsen’s A Doll’s House), into the future (Untitled Theatre Company No. 61 and Yara Arts Group’s adaptation of Ursula K. Le Guin’s The Left […]
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