Theatre Review: Findlay/Sandsmark’s O’Death at the Wexner Center

The best moments in Findlay/Sandsmark’s journey to the melancholy at the heart of the end of the world, O’Death, have the same rawness as Reverend J.M. Gates’ song/sermon for which the show is named. However, the performance which opened at the Wexner Center for the Arts on Thursday – choreographed and performed by Marit Sandsmark and designed and directed by Iver Findlay – doesn’t sustain the sensation that a cold wind has scraped your lungs raw. It most