Matthew Bourne’s Cinderella review – still having a ball

Sadler’s Wells, London
Visual magic outweighs occasional longueurs in this welcome revival of the choreographer/director’s wartime fairytaleMatthew Bourne’s latest revival of Cinderella is an ambitious production, even by the choreographer-director’s own elevated standards. Created in 1997, the piece is set in the London blitz, to a soundtrack which overlays Prokofiev’s famous ballet score with the overhead grumble of Heinkel and Dornier bombers, and the terrifying