Robert Morris’s ‘Para-Architectural’ Drawings Envision a Fantasy Complex that Prioritizes Movement over Static Form

With “Robert Morris: Para-Architectural Projects,” Hunter College’s Leubsdorf Gallery spotlighted a seldom-seen portfolio by a postwar artist whose sculpture and writings helped define the Minimalist idiom of the 1960s and its eventual unmaking in “process art.” Illustrating Morris’s turn toward environmental scales, the show collected seven large-format drawings from 1971 that offer glimpses of what the late artist termed a “fantasy complex” of wa