Hard Truths: How Galleries Abuse Art Historical Discourse
What happens when creative ideals crash into the art world’s sad realities?
I work for a major international gallery, even though I have a PhD in art history and originally envisioned an academic career. My dissertation on the soft-focus Weltanschauung of photographer Edward Steichen was well received, but landing a teaching job or curatorial position proved impossible. Although I never pictured myself in the commercial gallery world, the funny thing is, I actually like working here
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