Hang Ten

At first look, Raymond Pettibon’s exhibition “Pacific Ocean Pop” seemed sparse. Though the show contained dozens of recent drawings and collages by the prolific draftsman and satirist, known for layered, enigmatic, and often humorous portmanteaus of text and image—an illustrated checklist ran to twenty-eight pages—Regen Projects’s white box space was left almost entirely open, and the gallery was empty of other visitors due to pandemic protocol. Organized into