Drawing Support: Do Ho Suh

Sheer panels of fabric suspended in the air delineate larger volumes. The edges of things—doors, windows, columns, bricks, grilles—are thick with seams. These hovering masses are the precise shape and size of particular houses, structures usually stabilized by gravity. But here, in the most recognized works of Do Ho Suh, the interiors are empty, the homes like renderings set in real space.
Context partly explains the absence: Suh grew up in Seoul in the 1960s and ’70s, in a tra