08-09-2020 19:21 via artnews.com

A Second Life for Socialist Realism

In 2013, curators at the Museum of Warsaw uncovered a hidden mural. Painted in 1954 by Wojciech Fangor (1922–2015), the composition shows three blacksmiths working together on a single scythe blade amid the smithy’s dark-red flames. Its depiction of collective labor was the sort of thing encouraged at the time it was commissioned, when Poland’s political and cultural life was dependent on Moscow. But the mural was covered with a thin plywood wall shortly after completion for re
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