"The latest indulgence of the architect and self-proclaimed visionary"

Rem Koolhaas' Countryside, The Future exhibition at Solomon R Guggenheim is more about the architect's shortcomings rather than the countryside, argues architecture critic Inga Saffron.The Guggenheim museum's latest indulgence of the architect and self-proclaimed visionary Rem Koolhaas opens with two large photos taken a century apart and presented as a then-and-now juxtaposition. The first image, shot in 1909, shows three, fresh-faced Russian peasant women, simply but beautifully dressed in the