The Magnificent Seven review: behold, the progressive Western

Whenever a movie remake or reboot comes out, there’s a general outcry about the lack of originality in Hollywood, and how retooling existing properties is leaving a vast number of original scripts drifting out there, forever unproduced. (I should know, I’ve done some of that outcrying myself.) Unless there’s something fundamentally different about the new incarnation that essentially forks it into a different property, the argument goes, it’s all just a waste of time &mda