Lady Dynamite’s brilliant second season is openly hostile toward Netflix, its platform

Maria Bamford’s Lady Dynamite, created in collaboration with Arrested Development’s Pam Brady and Mitch Hurwitz, was the most interesting addition to Netflix’s original content catalog in 2016. It’s a bizarro-world show-biz sitcom with three timelines, a smattering of animation, Candy Land production design, talking pugs, and a heroine who explains that, physically, she can only speak in “baby voice” or “rich lady at a cocktail party” voice.
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