‘It was a learning curve for everyone’: Robert Eggers on The Lighthouse’s tech experiments

Photo: A24 Robert Eggers’ new black-and-white arthouse drama The Lighthouse is the kind of film that’s just about impossible for a studio to market. It’s nominally a horror film, set in the brutal isolation of a remote, storm-wracked coastal lighthouse in the 1890s. But it’s hard to say what kind of horror film — Eggers and his brother and co-writer Max Eggers deliberately keep the details ambiguous. It centers on an older lighthouse keeper (Willem Dafoe) who takes