Baby Driver: can a bad title sink a film?

Will Edgar Wright’s decision to make his latest film sound like a slapstick childcare comedy affect its impact – or make no difference?There is a lot going on in Baby Driver, a caffeinated splicing of crime thriller and jukebox musical. Once you clunk-click into the central conceit – audacious heists, hard-boiled badinage and breakneck car chases all wittily synced and choreographed to its central character’s eclectic iPod playlist – it is an intoxicating, heightene