15-10-2024 19:14 via newyorker.com

What Alvin Ailey Built

What he wanted to promote with his company was the idea that Black audiences—general Black audiences, like the folks Acocella probably saw applauding “Revelations”—should connect not only with their “ ’buked” and “scorned” selves onstage but with the feeling that performance can be a kind of balm, an embrace. – The New Yorker
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