Artists Withdraw From Whitney Biennial And A Revolution Begins

Jerry Saltz:This saga is much bigger than Kanders or the Whitney. All museums are100 percent awash in toxic philanthropy — that is the nature of theplutocracy in which we live. Kanders is no isolated case; dirty money isin the woodwork of every American museum. In fact, because it’s been soin the spotlight since its successful downtown move in 2015, is so opento change and also poorer than similar institutions, the Whitney ismuch more structurally fragile than other large