Artist Betye Saar Has Died, Four Days Before Her 100th Birthday

“(She) transformed collections of bigoted bric-a-brac — Sambo dolls, ceramic mammies and crude renderings of pickaninnies — into potent works of assemblage that mined the searing history of race in the United States,” most famously in her 1972 piece The Liberation of Aunt Jemima. – Los Angeles Times (Yahoo!)