The real Scandi noir: how a filmmaker and a crooked lawyer shattered Denmark’s self-image

The Black Swan follows a repentant master criminal as she sets up corrupt clients in front of hidden cameras. But is she really reformed – and is the director up to his own tricks?The trap was laid in a rented office: two rooms in downtown Copenhagen, furnished without a whisper of Scandi style. If it wasn’t for a Frida Kahlo print on one wall, the premises might have felt as impersonal and stark as a confessional. That, in any event, was what it became. For six months, beginning in