‘Trapped on an oil rig with an unknowable horror’: Still Wakes the Deep is a dark 70s throwback

The makers of Everybody’s Gone to the Rapture return with a story about drilling down into something terrible lurking beneath the North SeaHow do you fancy making a 1970s horror game set in Scotland? That was the question that art director John McCormack recalls being asked by Dan Pinchbeck, co-founder of the Brighton-based studio The Chinese Room, when he joined the company a few years ago. McCormack’s response was immediate: “Well, as a Scotsman from the 70s, I would say that