Coma review – vital signs are weak in Bertrand Bonello’s mopey lockdown drama

There are stabs of the same fear that made The Beast fascinating, but thistale of a bored teenager in a scary, affectless future is too unfocusedProminent French film-makers are supported by their national industry and even their lockdown projects have been received with respectful attention. Earlier this year Olivier Assayas’s autofiction Hors du Temps, or Suspended Time, premiered in Berlin – a dreamy Covid-era indulgence that he just about got away with. Now we have a chance to se