Jess Glynne: Always in Between review – earworm everywoman's predictable pop

The follow-up to Glynne’s ubiquitous debut is generic Top 40 and soul-pop finished to a high standard
There are artists who ascend to stardom in the traditional blaze of publicity and hype, and there are others who, to borrow the old Peter Cook joke, seem to rise without trace. Consider the case of Jess Glynne, who has spent four years becoming one of the country’s biggest stars. She has had seven No 1 singles, more than any other British female artist in history. Her second album, A