Raphael and Balenciaga: this week’s best UK exhibitions

Passion and sensitivity shine through in the Ashmolean’s celebration of the Italian Renaissance, while surreal art meets high fashion at the V&AIn 1920, the surrealist photographer Man Ray took a picture of a huge piece of glass lying on the floor of his friend Marcel Duchamp’s studio, covered in dust. The glass panel was in fact part of Duchamp’s masterpiece-in-progress The Bride Stripped Bare By Her Bachelors, Even, deliberately left to gather dust as part of Duchamp&rsqu