Michael Craig-Martin review – a malevolent graveyard of tech

Serpentine gallery, London
Whether he’s painting tape cassettes, Xbox controllers or iPhones, Craig-Martin’s odd, lurid objects don’t just show us the days we’ve lost – they glower back at usTakeaway cups with plastic lids; headphones and iPhones and memory sticks; a lightbulb, an Adidas trainer and a serving of fries: they all cascade around the walls of the Serpentine’s South Gallery in a nonchalant dance of ordinary things.
This repeated lexicon of objects