28-10-2016 15:30 via artnews.com

Candid Caricatures, Candy Coffins, and Cringe-Inducing Catharsis: A Walk Through Pedro Reyes’s ‘Doomocracy’

During the second presidential debate, it took a chubby-cheeked man named Kenneth Bone to break the unbearable tension in the room. Perhaps Bone succeeded because in him we saw the everyman—a Guess Who? card, as one person characterized him. Although it could … Read More
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