24 Frames review – a mesmeric glimpse into Abbas Kiarostami's mysterious mind

The Iranian director has produced a posthumous marvel with this bizarre, experimental ghost-film that even puts his hated cinema seats to decent useAbbas Kiarostami last came to Cannes competition in 2012 with Like Someone in Love, a head-scratching tease of a film, bowing out with a crash ending that left the audience hanging. At the time, the Iranian director was unrepentant; he said that cinema seats made an audience lazy and that question marks were “part of the punctuation of life&rdq