Review: Edmonton Opera makes the most of Rossini's Count Ory

Italians might protest, but even with the best will in the world, prosecco can’t be confused for genuine champagne. There is something about the French original that makes it sparkle a little more, that adds a magical touch of the acerbic to the smooth sweetness, that overall just bubbles a little better.
Edmonton Opera’s new production of Rossini’s last comic opera, Count Ory, which opened at the Jubilee on Saturday (April 6), is fun, and well presented and sung, but in the en