Dipped in integrity: The profound depth of Aeron Chair’s extended palette

When Bill Stumpf and Don Chadwick first designed the Aeron Chair in 1994, the pioneering seat that heralded a new era of ergonomics and material innovation was briefly accompanied by a palette of jewel-like tones.Shades like Amethyst and Sapphire reflected the metallic sensibility of the era; however, at the time, they could only be applied to the exposed flexible surface of the revolutionary Pellicle suspension – rather than to the whole form of the chair. This created a noticeable contra